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Even the finale's attempt to visually impress the audience falls short: Nanoha and her friends' weaponry gets fancier with each transformation, but the digitally-generated effects are woefully cheap, and the artifact/creature designs just get stupid by about Episode 12 or so. But maybe the flash and fanfare of mid-air magical combat (yes, every magic-wielding person in this series can fly; it just looks cool) isn't so bad compared to what happens on the ground: blocky front-view or side-view scenery, uninspired backgrounds, and animation so cheap that there is one scene where a TV is flashing static images every two seconds. But lazy directing and cheap animation have nothing to do with the most intrinsic visual problem: the dull, bug-eyed character designs that differ only in terms of hairstyle and costume changes. And even then, everyone has that weird tuft of hair coming out the side of their heads! Is this some kind of bizarre universe where everyone wakes up with bed head in the mornings?
What a relief, then, that the music isn't quite as cheap as the visuals: sure, they still use electronic instrumentation because it's a pain to bring in real musicians, but the pretend-orchestra that pounds its way through the soundtrack is surprisingly effective. Battle scenes resound with Wagnerian pomp, while quiet moments and flashbacks are dotted with poignancy—especially in Fate's dream about her perfect alternate world. Too bad the theme songs are so dull in comparison (and this is why Nana Mizuki and Yukari Tamura have never quite broken the barrier between singing seiyuu and actual pop star).
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