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But not lethal. Even after taking several steps down, Sasameki is still a couple of steps above your average romantic comedy. It never completely loses its melancholy edge, secreting little emotional stings like razor blades in its big blocks of laid-back humor. It also doesn't flinch away from the isolation its quartet of girl-loving girls feel thanks to their sexuality, nor does it hide the perverse (and perversely entertaining) undercurrents of some of its humor (Akemiya's gender confusion in particular). But most importantly, it knows how to have a good time without wearing out its welcome. Neither spastically overzealous nor dully complacent, whether chronicling a Geneva-Convention-defying cooking contest or Sumika's ditz training (lesson one: how to slip on a banana peel), it can paste an effortless smile on your face that won't fade until long after the end credits roll.
The series shoots for a simple, solid look that complements its modest ambitions well. It's blessed with good, though not spectacular, background artistry that delineates spaces and sets moods without being obtrusive or flashy. Character designs are distinguishable without being distinguished, cute and suitably expressive, but with inflexible, detail-deprived hair and generalized, slightly cartoony faces. It's limited scope requires little from its animators—nothing more active than, say the inevitable reckoning with that aforementioned banana peel—and they rarely invest more than absolutely necessary. Which is perfectly fine, especially given that the series is at its most distinctive and effective when pinching pennies with its unique and very funny brand of SD humor.
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