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The series has basically two moods—sad and silly—and first-time anime composer Shigeomi Hasumi handles both, and several gradations between the two, with a smooth deference that belies his inexperience. Highly enjoyable and surprisingly sensitive, it heightens feelings and subtly bolsters humor without ever drawing undue attention to itself. As good a start to an anime music career as one could want.
It's hard not to be a little bitter that the series doesn't live up to the power and promise of its perfectly formed pilot. But even if the remainder of the show feels like a sequel to its first episode, at least it's a fun sequel. There's plenty to enjoy here: likeable characters, laugh-aloud jokes, and over it all a faint pall of heartbreak to temper its rampant lightheartedness. To ask more, even given the knowledge that it is indeed capable of more, seems a bit churlish.
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